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-1 J

The Oligarchs Are Fighting

The Washington Roundtable discusses the fallout from the messy rupture between Donald Trump and Elon Musk, how battles between maximalist rulers and the mega-wealthy have unfolded in history, and how this week’s fighting could portend a new, more combative phase of American oligarchy. They talk about America’s new Gilded Age, drawing on “The Haves and Have-Yachts: Dispatches on the Ultrarich,” a new book by Evan Osnos, just out this week. This week’s reading: “The Musk-Trump Divorce Is as Messy as You Thought It Would Be,” by Susan B. Glasser “Donald Trump’s Politics of Plunder,” by Evan Osnos “The Sublime Spectacle of Donald Trump and Elon Musk’s Social-Media Slap Fight,” by Jessica Winter “The Private Citizens Who Want to Help Trump Deport Migrants,” by Jessica Pishko “Can Public Media Survive Trump?,” by Jon Allsop Tune in wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

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33 min
30 MAI

Lesley Stahl on What a Settlement with Donald Trump Would Mean for CBS News

Lesley Stahl, a linchpin of CBS News, began at the network in 1971, covering major events such as Watergate, and for many years has been a correspondent on “60 Minutes.” But right now it’s a perilous time for CBS News, which has been sued by Donald Trump for twenty billion dollars over the editing of a “60 Minutes” interview with Kamala Harris during the 2024 Presidential campaign. Its owner, Paramount, seems likely to settle, and corporate pressure on journalists at CBS has been so intense that Bill Owens, the executive producer of “60 Minutes,” and Wendy McMahon, the head of CBS News, resigned in protest. Owens’s departure was “a punch in the stomach,” Stahl tells David Remnick in a recent interview, “one of those punches where you almost can’t breathe.” And far worse could happen in a settlement with Trump, which would compromise the integrity of the premier investigative program on broadcast news. “I’m already beginning to think about mourning, grieving,” Stahl says. “I know there’s going to be a settlement. . . . And then we will hopefully still be around, turning a new page, and finding out what that new page is going to look like.” Although she describes herself as “Pollyannaish,” Stahl acknowledges that she is “pessimistic about the future for all press today. . . . The public has lost faith in us as an institution. So we’re in very dark times.”

30 mai

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27 min
-3 J

The Man Who Thinks Trump Should Be King

The New Yorker staff writer Ava Kofman joins Tyler Foggatt to discuss her recent Profile of the iconoclastic right-wing blogger Curtis Yarvin. They discuss Yarvin’s desire to end American democracy by installing a monarch, whether his provocations can be seen as trolling, and how his writings have found a receptive audience among conservative politicians and the tech élite. “Obviously, Yarvin’s influence on the right is great, and maybe can’t be overstated,” Kofman says. “But, at the same time, a lot of these ideas he’s getting from having conversations with powerful people in Silicon Valley and with powerful people in Washington.” This week’s reading: “Curtis Yarvin’s Plot Against America,” by Ava Kofman “Democracy Wins a Referendum in South Korea,” by E. Tammy Kim “Josh Hawley and the Republican Effort to Love Labor,” by Eyal Press “Trump Makes America’s Refugee Program a Tool of White Racial Grievance,” by Jonathan Blitzer “Elon Musk’s Vanishing Act,” by Jon Allsop To discover more podcasts from The New Yorker, visit newyorker.com/podcasts. To send feedback on this episode, write to themail@newyorker.com. Learn about your ad choices: dovetail.prx.org/ad-choices

-3 j

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38 min
-4 J

Brian Eno Knows “What Art Does”

In the music business, Brian Eno is a name to conjure with. He’s been the producer of tremendous hits by U2, Talking Heads, David Bowie, Grace Jones, Coldplay, and many other top artists. But he’s also a conceptualist, nicknamed Professor Eno in the British music press, and a foundational figure in ambient music—a genre whose very name Eno coined. Amanda Petrusich speaks with Eno about his two new albums that just came out, “Luminal” and “Lateral,” and his new book, “What Art Does.” “One of the realizations I had when I was writing this book is that really the only product of art is feelings,” Eno says. “Its main point is to make your feelings change—is to give you feelings that you perhaps didn’t have before or did have before and want to have again or want to experiment with. So it seems very simplistic to say, ‘Oh, it’s all about feelings.’ But actually I think it is. Feelings are overlooked by all of those people who think bright children shouldn’t do art.”

-4 j

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24 min
-5 J

Lesley Stahl on What a Settlement with Donald Trump Would Mean for CBS News

Lesley Stahl, a linchpin of CBS News, began at the network in 1971, covering major events such as Watergate, and for many years has been a correspondent on “60 Minutes.” But right now it’s a perilous time for CBS News, which has been sued by Donald Trump for twenty billion dollars over the editing of a “60 Minutes” interview with Kamala Harris during the 2024 Presidential campaign. Its owner, Paramount, seems likely to settle, and corporate pressure on journalists at CBS has been so intense that Bill Owens, the executive producer of “60 Minutes,” and Wendy McMahon, the head of CBS News, resigned in protest. Owens’s departure was “a punch in the stomach,” Stahl tells David Remnick in a recent interview, “one of those punches where you almost can’t breathe.” And far worse could happen in a settlement with Trump, which would compromise the integrity of the premier investigative program on broadcast news. “I’m already beginning to think about mourning, grieving,” Stahl says. “I know there’s going to be a settlement. . . . And then we will hopefully still be around, turning a new page, and finding out what that new page is going to look like.” Although she describes herself as “Pollyannaish,” Stahl acknowledges that she is “pessimistic about the future for all press today. . . . The public has lost faith in us as an institution. So we’re in very dark times.” Learn about your ad choices: dovetail.prx.org/ad-choices

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27 min
-6 J

Edwidge Danticat Reads Zadie Smith

Edwidge Danticat joins Deborah Treisman to read and discuss “Two Men Arrive in a Village,” by Zadie Smith, which was published in The New Yorker in 2016. Danticat, a MacArthur Fellow and a winner of the Vilcek Prize in Literature, has published six books of fiction, including “Breath, Eyes, Memory,” “The Farming of Bones,” “Claire of the Sea Light,” and “Everything Inside.” Her memoir “Brother, I’m Dying” won the National Book Award and the Dayton Literary Peace Prize, among others. She has been publishing fiction and nonfiction in The New Yorker since 1999. Learn about your ad choices: dovetail.prx.org/ad-choices

-6 j

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44 min
07/09/2016

S1 E1: The Crime

The abduction of Jacob Wetterling, which made parents more vigilant and led to the first national requirement that states track sex offenders via registries, took place before moonrise on a warm October night in 1989. Learn about your ad choices: dovetail.prx.org/ad-choices

07/09/2016

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35 min
-2 J

“Mountainhead” and the Age of the Pathetic Billionaire

“Succession” creator Jesse Armstrong’s latest work, a ripped-from-the-headlines sendup of tech billionaires called “Mountainhead,” is arguably an extension of his over-all project: making the ultra-wealthy look fallible, unglamorous, and often flat-out amoral. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how the new movie draws on the tech oligarchs we’ve come to know in real life, and consider the special place that the über-rich have held in the American imagination since the days of Edith Wharton and Upton Sinclair. How has the rise of such figures as Elon Musk and Mark Zuckerberg changed our conception? And, as they’ve become more present in our daily lives—and more cartoonishly powerful—is it even possible to satirize them? “I think now that job is more important and also harder to do for artists,” says Schwartz, “simply because the culture is so enraptured with wealth." Read, watch, and listen with the critics: “Mountainhead” (2025) “Succession” (2018-23) “Oil!,” by Upton Sinclair “There Will Be Blood” (2007) “Lifestyles of the Rich and Famous” (1984-95) “Three Faces of American Capitalism: Buffett, Musk, and Trump,” by John Cassidy (The New Yorker) “Joe Rogan, Hasan Piker, and the Art of the Hang” (The New Yorker) “On the Campaign Trail, Elon Musk Juggled Drugs and Family Drama,” by Kirsten Grind and Megan Twohey (The New York Times) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

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45 min
07/09/2016

S1 E2: The Circle

When Jacob Wetterling was taken, authorities launched what would turn into one of the largest searches for any missing person in the history of the United States. But that first night, law enforcement didn't cover all the basics. Learn about your ad choices: dovetail.prx.org/ad-choices

07/09/2016

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39 min
29 MAI

Examining Trump's War on the Media, and a Warning from Hungary

This is the second installment of “How Bad Is It,” a recurring series in which the staff writer Andrew Marantz joins Tyler Foggatt to conduct a health check on American democracy. They discuss how Donald Trump has bullied media companies, why it’s troubling that some outlets are seeking to settle lawsuits with the Administration, and how the role of social media in public discourse has changed during the second Trump Administration. Plus, an interview with the prominent Hungarian journalist Márton Gulyás, who’s on the show to discuss a new bill making its way through the Hungarian parliament which is designed to quell the free press, and what a potential crackdown may tell us about the future of American media. This week’s reading: “Donald Trump’s Politics of Plunder,” by Evan Osnos “Donald Trump’s War on Gender Is Also a War on Government,” by Paisley Currah “The Criminalization of Venezuelan Street Culture,” by Oriana van Praag “J. D. Vance Warns Courts to Get in Line,” by Ruth Marcus “In Chicago, Will the Pope Bump Last?,” by Geraldo Cadava To discover more podcasts from The New Yorker, visit newyorker.com/podcasts. To send feedback on this episode, write to themail@newyorker.com. Learn about your ad choices: dovetail.prx.org/ad-choices

29 mai

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48 min

Politics, culture, fiction, and more from The New Yorker.